Budbill: Archie Shepp
02/01/13 5:55PM By David Budbill
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(Budbill) This is the college's 150th anniversary and the college is honoring some of its distinguished alumni. Archie Shepp is a legendary jazz saxophonist and Goddard alumnus. He graduated from Goddard in 1959.
After the award ceremony, Shepp's quartet played a concert, one set about 90 minutes long. Shepp sang a lot and did a lot of blues shouting. Since Shepp is also a writer, I figured he wrote the lyrics to most of the songs he sang. Two lines in one of his songs really got to me. I wrote them down:
Soft as the rain
Sweet as the end of pain.
He also played the tenor and soprano saxophones, mostly tenor.
The last time I saw Shepp play was years ago at Sweet Basil's - now defunct - on Seventh Avenue near Sheridan Square in New York City, with the pianist Horace Parlan. During a break Shepp came out into the audience and was moving from table to table. When he came to us he asked where we were from and when we told him Vermont, he said, "Oh yeah? I graduated from Goddard College!"
The combination of grief and energy in his blues lyrics - that cry of agony and delight - gave everyone there that night at Goddard an emotional history of black people in America.
Shepp's piano player - Tom McClung - knocked me out. He played big rich chords, ran up and down the key board the way a Hammond B-3 player would, yet he also played sparely, one note, one key, at a time. He reminded me a lot of Leo Genovese, the piano player on a number of Esperanza Spalding's recordings.
I was a little surprised by the choice of material however. Shepp has either grown conservative in his old age, he's 75 now, or he played a concert aimed at the taste of a rural audience. I don't know which it was, but he played and sang mostly the blues or tunes he'd written - one for his daughter, one for Sarah Vaughn, another for his cousin stabbed to death on the streets of Philadelphia at the age of 15. He also played standards and played them pretty much straight-ahead and in the traditional format of head, solos, back to the head and out. This was not always the case but mostly.
However, it was Archie and his tone that was most on display that night. Shepp's got, in my opinion, the harshest tone on both tenor and soprano saxophones of anybody alive. I don't mean to put that tone down; it's Archie's and he owns it and does wonderful things with it. Duke Ellington said once that a man's entire personality is in his tone.
Shepp's tone made me think over and over again that night of a quote from Gil Evans that goes, "All great music has to have a cry somewhere; all players and all music - they have to have that cry." Archie Shepp, whether he's singing or playing his tenor or soprano, has that cry.